91欧美激情

Relax, don’t do it: ‘Zoolander 2’ script had freak gasoline accident

April 24, 2026 | (Jason Fraley)

WASHINGTON 鈥 The original “Zoolander” wasn’t everyone’s cup of tea, but it sure hit my sweet spot with its creative lampoon of the fashion industry.

The 2001 comedy聽began as somewhat of a cult comedy classic, overshadowed by Ben Stiller’s mainstream masterpieces聽“There’s Something About Mary” (1998) and “Meet the Parents” (2000), but rose to widespread popularity thanks to repeat viewings on home video in college dorms.

So the anticipation聽was聽understandably high聽for “Zoolander 2,” Stiller’s聽sixth聽directorial effort after his underrated debut “Reality Bites” (1994), the criminally misunderstood Chris Farley-Jim Carrey swap “The Cable Guy” (1996), the refreshingly聽original “Zoolander” (2001), the surprisingly hilarious “Tropic Thunder” (2008) and the聽lackluster remake聽“The Secret Life of Walty Mitty” (2013).

The sequel picks up 15 years after the events of the first聽“Zoolander,” which introduced dimwitted fashion model Derek Zoolander (Stiller), his sidekick Hansel (Owen Wilson) and fashion mogul Mugatu (Will Ferrell) amid a “Manchurian Candidate” scheme to kill the Prime Minister of Malaysia, only instead of solitaire, the聽brainwashing is triggered by “” by Frankie Goes to Hollywood.

All these years later, Derek and Hansel have given up modeling and are no longer on speaking terms, until a rival fashion company聽hatches a diabolical聽“fountain of youth” scheme聽involving聽Derek’s long-lost son, Derek Zoolander Jr. (Cyrus Arnold), as Mugatu waits in a maximum security fashion prison.

If that plot sounds like just enough nostalgia to buy a movie ticket, by all means go for it, but you better temper your expectations.聽While “Zoolander” offered hysterical聽gags like聽Derek only able to turn his body to the right, “Zoolander 2” rarely makes a right turn in a downward unfunny spiral. The longer聽this thing lumbers on screen, the more you feel duped for falling for its聽promising聽Act One.

The movie opens strong with a glorious action chase sequence that subverts its shaky-cam style with unexpected belly laughs. Not only do we get a聽celebrity death everyone can rally around, we get some reversals of expectations that offer a surprising social commentary on modern tech culture.

The ensuing聽media montage 鈥 i.e. “Previously on Zoolander” — is quite brilliant, as real-life cable news anchors remind us of the events of the first flick and catch us up on what has happened since.

Best of all,聽the reintroductions of Derek and Hansel do not disappoint, as Billy Zane delivers Netflix to both Stiller and Wilson in their respective hideouts. Stiller is a recluse in a wintry “Dr. Zhivago” cabin, while Wilson wears a mask amid a desert orgy where Kiefer Sutherland steals the show.

This is precisely the point you should take a “right聽turn”聽toward the exit. You’ve seen all you needed to see. The setup is the high point of the movie.聽As Derek and Hansel hit聽the runway at the start of Act Two,聽the movie quickly loses steam聽before gradually plunging into a depressing stupidity.

I say “depressing” because the first聽“Zoolander” masterfully聽carved a聽boneheaded path to our funny-bone. It takes a certain genius to pull off聽the聽deliberately dumb, a la聽聽“Dumb and Dumber” (1994).

That’s right, someone had to say it.聽“Dumb and Dumber” is a genius 4-star comedy classic.

So is聽“Caddyshack” (1980). And “Austin Powers” (1997). And “The 40-Year-Old Virgin” (2005).

If you disagree, you’re part of the problem.

Comedies get enough credit.

Which is why it pains me so much to say that “Zoolander 2” is one of those lazy movies 鈥 like “The Hangover 2” (2011) and “Caddyshack 2” (1988) — that gives comedy sequels a bad name.

Stiller and Wilson are perfectly capable of聽sidesplitting聽sequels, as in “Meet the Fockers” (2004), which added Dustin Hoffman and Barbra Streisand as the in-law counterparts to聽Robert DeNiro and Blythe Danner. These聽“celebrity additions” worked because they were聽limited in number and cast as actual characters in the story, rather than crammed on screen聽in an endless parade of forced cameos.

Everyone is in聽“Zoolander 2”聽— Pen茅lope Cruz, Justin Bieber, Kim Kardashian, Kanye West, Billy Zane, Sting, Susan Sarandon, Kiefer Sutherland, Willie Nelson, Macaulay Culkin, Ariana Grande, Demi Lovato, Katy Perry, Fred Armisen, Lenny Kravitz, Kate Moss, Kristen Wiig, Justin Theroux, Benedict Cumberbatch, Olivia Munn, Joe Jonas, John Malkovich,聽Christine Taylor and聽Neil deGrasse Tyson.

A聽few of these famous faces deliver sporadic chuckles, but most add nothing of merit. Kyle Mooney (“SNL”) deserves credit as Don Atari, who speaks with the annoying Millennial trend of finishing sentences with “bruh” and “yun,” though it was likely聽funnier in the pitch room than it is on screen.

You’ll hold out hope that Will Ferrell might save the flick with a quotable late-movie appearance like his meatloaf-craving Chazz Reinhold, who worked wonders with Wilson in “Wedding Crashers” (2005). But this time, Ferrell’s candy-colored return as Mugatu is more ridiculous than it is funny.

By the end,聽“Zoolander 2” manages to turn聽its聽“Blue Steel” face聽into the “Night at the Roxbury” head bob. Both were absolutely hilarious at the turn of the millennium, but no sequels are necessary. Studio execs聽should have done the “Magnum” pose and frozen聽this thing in its development tracks.

After 15 long years, this is what we get?

It’s as if the聽script was written at “The Center for Kids Who Can’t Read Good,” where聽someone spilled an orange mocha frappuccino all over the pages聽then lit the end on聽fire in聽a freak gasoline accident.

In other words, you may want to go to it, but relax, don’t do it.

2-stars

The above rating is based on a 4-star scale. See where this film ranks in Jason’s . Follow 91欧美激情 Film Critic Jason Fraley on Twitter .

Jason Fraley

Hailed by The Washington Post for 鈥渉is savantlike ability to name every Best Picture winner in history," Jason Fraley began at 91欧美激情 as Morning Drive Writer in 2008, film critic in 2011 and Entertainment Editor in 2014, providing daily arts coverage on-air and online.

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